Charlotte Hopkins Hall: Contrasting Ways
Solo showAbout the exhibition
“Painting a form of psychological drama, the work draws from our idiosyncrasies and relationships to reality. In conjunction with the titles, the human figure becomes a conflicted proposition.
At the core of the paintings are the figures. They are either lost within their own states of mind or turning their backs on the viewer; they are the catalyst for the idea. Attracted to the paintings by intricately executed elements, the viewer is nonetheless left with the understanding that there is more to the painting than meets the eye.
The impact of the negative space is essential. This play with the white space, on or off the canvas, creates an imperceptible weight and the possibility of open narratives.”
Charlotte Hopkins Hall, 2016.
About the curator
Olivier Varenne, Co-Founder and Head Curator at Collectionair, is the Co-Director of Exhibitions & Collections and International Curator at Museum of Old and New Art (MONA) in Tasmania, Australia. Based in London, Olivier Varenne has sourced most of the contemporary art in MONA’s collection. Through his relentless trips around the globe he has been instrumental in the buying and commissioning of works from a vast array of emerging artists, including Michel Blazy, Ryoji Ikeda, Oliver Beer and Ed Atkins, as well as securing masterpieces by artists such as Chris Ofili, Jean Tinguely and Jannis Kounellis. Olivier has also brought important installations such as Richard Wilson’s 20:50, Wim Delvoye’s Cloaca and Gregory Barsamian’s Artifact, to MONA.
Olivier has also succeeded in bringing important established contemporary artists to MONA for exhibitions and retrospectives. Most recently with Matthew Barney: River of Fundament (2014-2015), Marina Abramovic: Private Archeology (2015 - 2016) and Gilbert and George: The Art Exhibition (2015).
Along side others at Mona, Olivier has also co-curated Celeste Boursier Mougenot’s: From Hear to Ear (2009), Christian Boltanski: The Heart Archive (2010), Yannick Demmerle (2012), I Look to You and I See Nothing (2013; Sharjah Art Foundation, UAE); The art component of MONA FOMA and Dark Mofo and The Red Queen (2013 – 2014).
Alongside Jean-Hubert Martin and Tijs Visser, Olivier co-curated the 3rd Moscow Biennale in 2009 and Theâtre du Monde (2013 ; La Maison Rouge, Paris/Mona). In 2010 he curated On and On at Casa Encendida Museum, Madrid. As well as Wim Delvoye (2011 – 2012), Chiharu Shiota: In Silence (2011) and Beam in Thine Own Eye (2013).