Inkjet print on cotton paper.
100 x 150 cm.
Edition of 5 +1 Artist Proof.
Cliffs that are a below on which the city rests and became once the last end of its urban territory, to become a viewpoint and extension of the desire to extend the cult of ownership reflected over the ocean waters . Streaming water falls and steep ravines from the bay are the rest of the bases of concrete of an ever denser and heavier city. This below that leans and announces with a plunge its gravity over the beaches; and these images, which are a longitudinal analytical approach from where these pictures are watching, producing a new cut over the west side of the street on which we walk.
To a more consensual and speculative view to the city of greed, the pictures of Camila Rodrigo precede a look of texture to its very depths and at times to what seem to be their own shocked and taken down by gravity monsters. The debris shaped by the sediment and the alluvial rock settled for centuries, appears in close-ups like if it was anticipating symbolically to more contemporary settlements, whose collective stories these images without even trying cite and murmur with timely delicacy.
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